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Tenor voice, Piano
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"A Dome of Many-Coloured Glass" - for Tenor and Piano [Performance Score]
Tenor voice, Piano
Small Ensemble High Voice,Piano Accompaniment - Level 4 - Digital Download SKU: A0.9760…
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Small Ensemble High Voice,Piano Accompaniment - Level 4 - Digital Download SKU: A0.976030 Composed by Lior Navok. 20th Century,Contemporary,Opera,World. Score and parts. 50 pages. Lior Navok Music #4719265. Published by Lior Navok Music (A0.976030). A DOME OF MANY-COLOURED GLASS - for Tenor and Piano (2000) DURATION: 20 minutes. POEMS BY: Amy Lowell POEMS INCLUDED: 1. The Painted Ceiling 2. The Traut 3. The Crescent Moon 4. Climbing 5. The Pleiades PROGRAM NOTES: The composer writes about his work: Amy Lowell's verses for children brought up many flashbacks from my childhood - a period of exploring, discovering and achieving little victories which we as adults take for granted. My approach, while composing the songs was to shift constantly between the way a child and an adult would view the given situation. The music tries to portray the psychological state of the poems' hero and sometimes uses an over-dramatic statement, just like a kid would experience the situation. Sometimes on the other hand, things are softened, as viewed through the glasses of an adult. A Dome of Many-Coloured Glass was commissioned by Joe Dan Harper and Anne Kissel Harper and was made possible by a grant from the St. Botolph Club Foundation. INFO: Item: Full Score Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: 50 Ink: Black & White Paper Size: DIN A4 / Letter.
$20.00
18.44 €
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Tenor voice, Piano
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Lior Navok
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"A Dome of Many-Coloured Glass" - for Tenor and Piano [Performance Score]
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Lior Navok Music
#
SheetMusicPlus
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
Tenor voice, Piano
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Greg…
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
$65.95
60.82 €
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Tenor voice, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry Faust for tenor and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
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